Graphic Cotton — Printing graphics on cotton: how | graphicotton.com

Screen vs DTG on cotton

Graphic Cotton — Printing graphics on cotton: how | graphicotton.com

Screen printing forces ink through a mesh stencil — one screen per colour — and cures it into a film on top of the cotton. DTG printing sprays water-based ink directly into the fibres, with no screens and no setup. Which one is cheaper depends on order size, colour count and ink coverage, and the numbers below show where each method wins.

GSMHandUnderbaseCuring
The signature mark of this site, drawn as a plate
USD 15–40one-time screen-making cost per colour per side
50–100 pcswhere a 2-colour screen print starts beating DTG on price
50–100 washesscreen-print life before the ink visibly thins, vs 30–50 for DTG

Screen printing vs DTG: the working numbers

Screen printing and DTG on a cotton t-shirt: the working numbers side by side
Comparison pointScreen printingDTG printing
One-time setupUSD 15-40 per colour per sideNo screens, no setup
Cheaper order sizeAbout 50-100 pieces and up, at 2 coloursUp to about 25 pieces, even at 6-8 colours
Ink on the fabricPlastisol film, 100-150 microns thickWater-based, 0.01-0.05 mm, soaks into the fibre
Cure or set160 °C for 15-60 secondsHeat-set after printing
What drives the priceNumber of coloursInk coverage, % of print area
Fabric requirementCotton; discharge only on cotton-rich blendsAt least 80% natural fibre, white or light base
Wash life50-100 cycles before the ink thins30-50 cycles before the ink thins
Screen printing and DTG on a cotton t-shirt: the working numbers side by side

Two ways to get ink onto cotton

Screen printing stencils each colour through a mesh and cures it as a film; DTG sprays water-based ink straight into the fibres.

A screen print is built one colour at a time. Each colour needs its own screen, made once at roughly USD 15-40 per colour per side, and plastisol ink is pushed through the mesh onto the garment. The ink sits on top of the cotton as a film 100-150 microns thick and is cured at about 160 °C for 15-60 seconds. That film is what gives screen prints their opacity and their slightly rubbery hand.

DTG — direct-to-garment — works like an inkjet printer for fabric. It lays down 0.01-0.05 mm of water-based ink that soaks into the cotton rather than coating it, so the print has almost no hand and no film to crack. The trade-offs are fabric and speed: DTG needs at least 80% natural fibre and a white or light base, and an A3 head prints roughly 1.5-2.5 square metres an hour at 1200 x 1200 dpi effective resolution, with typical production quoted at 3-7 days per run.

A third route, discharge, belongs to the screen family but behaves differently: a reducing paste strips the existing dye out of dark pre-dyed cotton instead of adding ink. It is the only screen method that prints a true white on a dark garment, it costs 10-30% more per metre, and it works only on cotton and some cotton-rich blends, with a visible effect on the garment's hand.

The break-even point is a number, not a feeling

Screen printing gets cheaper per piece as quantity rises; DTG gets cheaper as colour count rises — and coverage re-prices everything in between.

Because the screen-making cost is paid once, it dilutes across the run. A two-colour screen print is commonly the cheaper route above about 50-100 pieces. Below roughly 25 pieces, a six-to-eight-colour DTG print with no setup can still be cheaper, because every extra screen colour would have added USD 15-40 before a single shirt was printed.

Between those two zones, ink coverage takes over. DTG cost scales with coverage — how much of the print area is actually inked — while screen cost scales with colours. A full-coverage black tee and the same artwork as a thin outline are priced in different bands, even though the garment and the method are identical.

  • Light coverage: under 15% of the print area inked
  • Medium coverage: 15-40% of the print area inked
  • Dark or full coverage: over 40% of the print area inked
The signature mark of this site, drawn as a plate

How long each print survives the wash

A screen print on cotton typically outlasts a DTG print by a factor of about two in wash cycles.

A screen-printed cotton garment lasts roughly 50-100 wash cycles before the ink visibly thins; a DTG print manages about 30-50. Both figures assume the print was finished correctly — plastisol cured at 160 °C, DTG heat-set — and both collapse if the cure is skipped or rushed.

Care decides whether a print reaches the top or the bottom of its range. Wash inside out at no more than 40 °C and keep the garment out of the tumble dryer: heat and abrasion are what crack a plastisol film and fade a water-based print. Dark cotton also bleeds for the first 1-3 washes — a 100% cotton knit absorbs 7-8% of its weight in water — so printed darks should be washed separately at the start.

The signature mark of this site, drawn as a plate

Chronology

Two ways to get inkonto cottonThe break-evenpoint is a numberHow long each printsurvives the washThe fabricspecificationSpecifying a run of20 or 2,000, inWashing a printedgarment so the
A map of this guide's sections

Figures: ink, fabric and failure modes

Each figure is drawn from the measurable values in the text — microns, gsm, degrees and wash cycles.

GSMHandUnderbaseCuring
The key terms of this guide, drawn to one scale

Where the numbers come from

Figures are drawn from standard garment-printing practice and published fabric specifications; no proprietary price lists are reproduced.